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Aequo.design’s new OBJ Collection modernizes Palais de Tokyo

Tokyo Modernization
Tokyo Modernization

Aequo.design has unveiled a series of design artifacts, the OBJ Collection, for the famous Palais de Tokyo in Paris. These creatives pieces were designed to spark creative engagement, redefine borders between art and design, and challenge conventional norms. Specific attention to detail was paid during the construction of each piece, ensuring they seamlessly blend into and modernize the prestigious setting.

The artistic and functional dynamic of the collection makes it unique. Every piece, from candle holders to zinc flower containers, serves not only as an object of practicality but an artistic endeavor to be examined and appreciated. This welcoming of interpretation fosters a personal bond between the items and their users, reminding us that art and design are fluid and ever-changing.

Aequo.design is dedicated to local production. All elements of the OBJ Collection are made in France, from the pieces themselves to their packaging. This not only highlights their commitment to domestic production, but also reinforces the collection’s ties to its French roots.

The array of items, commissioned by the Palais de Tokyo, intends to enhance visitor engagement and boost the institution’s reach.

Modernizing Palais de Tokyo with OBJ Collection

Each piece creates a connection to the esteemed art center’s history and artistic philosophy. Host to a variety of items stemming from clothing and ceramics to artworks and furniture, the innovative materials and meticulous craftsmanship of Aequo.design are evident.

Furthermore, these items are seen as physical expressions of Palais de Tokyo’s spirit. Each product allowing for the owner to make a personal connection and form a conversation about art. Acting as an extension of the art museum’s purpose, these pieces become conduits for the wider spread of art and culture.

Elements of the cultural site’s past, including travertine stairways, zinc vessels, and concrete pillars, are incorporated in the design items. Some items even feature graphic designs on stainless steel pins, adding another layer of meaning. This strategy highlights the site’s rich history while paving the way for future transformations.

Lastly, the OBJ Collection aims to enable recollections of the place, encouraging deeper thinking about the function of objects and promoting memory-driven experiences. This collection underscores Palais de Tokyo’s commitment to endorse contemporary art and design by instigating dialogue about aesthetics, function, and memory embedded in tangible items. In conclusion, the OBJ Collection and Palais de Tokyo affirm that art remains a deeply personal and transformative human experience.

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